In this labyrinthine novel, the eternal archetypes of narrative become not merely the plot, but the world’s operating system — one that is destined for a fatal error in the finale. “Meihua. Triptych 2.o” is a rare case where a contemporary author enters into a dialogue with a classic master not as an epigone, but as an equal. It is a work that is simultaneously an homage to Borges and a wholly original creation, enriching the tradition with new meaning
